Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts

Thursday, January 17, 2013

Garrett's Broken Arm

Garrett's Broken Arm
acrylic on water color paper
in Round 3 Moleskine
click image to view larger.

This is my latest painting in my round 3 returned Moleskine.  It is an illustration from a serial novel in progress, Discovery at Little Hog Island.  It's an adult novel, in spite of the fact that these are children, but I may also use the illustration if I ever finish it, for a children's novel. I know it's imperfect, and I may work on it more later, but I have to quit for now.

I'm hoping to post the novel here, serially, but haven't had time.  If I actually DO IT, you may see this image, or an updated one again at some point in the future.

Tuesday, December 04, 2012

Discovery at Little Hog Island (plus) --vi. hands



i, ii, iii, iv, v

 Chapter 1, part vi of my serial novel hopeful, Discovery at Little Hog Island (plus)

 --vi. hands

 Dana cringed and looked away. She looked at Buck's hands, and then at Buck. Buck looked calmly serene and strangely handsome in a rough sort of way. He sat looking at Glenn with a small smile playing around the edges of his mouth. Everyone waited without moving or speaking. They all looked toward Glenn. Dana looked back at Glenn. He was still staring at her with utter malice. Then, in an exaggerated motion, he slowly lifted his arms from his lap and placed his hands on the table. His face darkened.

 *

  vii


 *

 -- My husband and I honeymooned in Slovenia. We took a side trip to Austria and another to Italy. In a church in Italy, we found this sculpture. It is, "Raising Hands to God." (click image to view larger)

 *

 -- Hands are the organ of touch. Touch is so essential to well-being, to love.

Sunday, November 04, 2012

Discovery at Little Hog Island, Chapter 1, part v

Glenn Angry
click image to view larger



Discovery at Little Hog Island, Chapter 1, part v
iiiiiiiv
-- v. Glenn

"I gotta hand it to you,” Simon said, "You're the first spy who penetrated our defenses."
"An unprecedented act of heroine-ism," Garrett added. They all laughed. Willie nodded.
"I'm not a spy. I'm a camper. I was just curious."
"More than curious," Glenn said. "Downright nosy."
"Now, Glenn," Buck said, "be polite. Dana is company."
"Unwanted company," Glenn snorted, "Unwanted and unwelcome."
Willie nodded. The others all nodded along with him. Everyone but Buck.
"Put your hands on the table, Dana, palms down," Buck said. Dana did as she was told.
She looked down at her hands. They were not typical women's hands. They were tan and scratched, covered with cuts, bruises and reddened bumps of poison ivy, some of them scratched open and weeping. Dana liked taking pictures of wildflowers and was always crawling around in the bushes. She remembered an advertisement for some dish detergent, Dove maybe, or was it Palmolive, where a mother and daughter laid their smooth, lily-white hands next to each other. Their perfect unblemished hands. Dana's hands did not pass muster.
Buck placed his hands on the table beside Dana's. Buck clearly worked with his hands. They were thick and strong, tanned, scarred, and had as many cuts as Dana's. Grime embedded the cracks in his skin. It appeared as if Buck had tried to scrub it off and mostly failed.
The other men stared. Then Willie placed his hands on the table. They looked much like Buck's. Garrett followed suit. His hands were similar, except Buck's fingers were longer. Simon laid his hands down. The hands all nearly matched. They were sturdy, battered and dirty.
Everyone turned to look at Glenn. He stared at Dana. His eyes were black, narrowed, and full of hatred.
*
iiiiiiivvi
*
Notes:
1)This is part 5 of Chapter 1 of my novel hopeful, Discovery at Little Hog Island, in Serial form.
2)The image, digitally painted by me on Artrage, was partly after a Gatherer Magic Artcard which can be viewed here

Thursday, September 27, 2012

More art and novel

I'm going away shortly for a week and I am hoping this traveling Moleskine sketchbook before I leave (but I may be unable to, as I also have other commitments.)

But tonight, I have to stay up late because my son is coming home on the train for the weekend from college.  So I worked on another page in Molly's Moleskine.

Dana Waznik
(by me standing in for Yllsa)
Dana Wasnik is the protagonist, main character, of my serial novel, Discovery at Little Hog Island.  She, like Ross in the last post, is a fictional character, so I'm making her up.  Watercolor.

The part of the novel where this picture will appear has not been written yet, but you can read earlier parts here if you wish.  (Links to the installments on cowbird).

Here is part two of the serial novel:

Little Hog Island at night
ii. footlockers 

Dana crept along the tumbled edges of the ruins, carefully stepping over and around fallen stones. She pressed close to the wall, but if anyone came out with a flashlight, they would see her. There was nowhere to hide. This is really stupid, Dana thought, Why am I doing this?
When she got to the window, she tried to swallow her heart back down—it seemed to be blocking her airways. She inched up her head and peered in.
By the light of a kerosene lamp, four men sat around a wooden table playing cards. Their faces, full of weird dancing shadows, reminded Dana of the witches from Macbeth. She shivered.
The man who faced the window was the one who had warned her not to swim to the island. His lids covered his eyes as he look down at the cards in his hand and he appeared to not see her. Dana walked past the door and past the next window, which was dark. She climbed over a crumbled wall, walked along an intact wall, past three more windows, and turned to walk behind the building. She wanted to reach one of the other windows she’d seen through the first one, a window where she could look in without being spotted by someone coming or going.
A sound startled her and she paused. Someone was behind the building. Dana heard him crashing around. She watched his light moving among the blocks of granite. She crouched in deep shadow between the wall and tumbled stone. She spotted another small building. In the light of the man’s flashlight, it looked like a stone shed. The man went in, banged around a little, and then was silent. A moment later, he reemerged and went back to the card-game building.
Dana waited a little while, and then walked over to the shed. A rusty padlock hung on a hasp. She looked for a window, and then realized the lock had not been pulled shut. She slipped it off, pulled the loop from the hasp, pushed the door slowly open, stopped when it made a low eerie creaking, pushed again gently and peered in. Rusty swords and bayonets hung on the walls. Along the base of three walls of the shed, footlockers were stacked. Dana opened one. Guns. More guns. On the other side, grenades. Dana shut the lids and headed for the door.
A sudden light in her face half-blinded her.
“What have we here?” asked a rough voice. The man who had warned her about the tides stood blocking the doorway. His deeply shadowed face did not look pleased.

Thursday, November 10, 2011

BACK OFF! New Chapter 1, Death Angel for NaNoWriMo

Well, I am way behind. I've been traveling and yesterday I was sick (just exhausted from driving through fog etc.) And to top it off, I decided that the novel had gotten off to a bad start with too many characters for the reader to keep track of. There are still a number of them in this chapter, but it's the best I could do. And remember, it's a first draft:

Death Angel, a Mycology Mystery

By Mary Stebbins Taitt

Chapter 1: Back Off

"Rune," Larry Thompson said, "back off. You're putting yourself in danger, asking too many questions."

Rune looked up from her computer in her closet-sized office to see Larry looking over her shoulder. On the screen was an old clipping. The headline read, "Four Renowned Cornell Mycologists Dead of Mushroom Poisoning!" Under that, the subtitle read, "Terrible Accident Claims Four Cornell Profs." The date on the clipping was from August over thirteen years ago.

"Why are you worrying about this old accident?" Larry asked, pointing at the clipping. “I know those training sessions Dr. McHaggerty had all week for the teaching assistants have piqued your interest, by that accident was thirteen years ago.”

“McHaggerty’s been talking about this for years. He talked about it when I took Mycology. He talked about it when I assisted my senior year. But I was distracted then by other problems in my life. True, he calls it an accident. But he explains how to avoid the accident, and I can’t believe that those intelligent, experienced professors would make the same mistake McHaggerty expects Mycology 158 students to understand and avoid. I think it was no accident.I think it was murder and there is no statute of limitations on murder," Rune answered.

"You really think they were murdered? The police insisted it was just an accident. They wouldn't listen when a number of us suggested murder. We went round and round about it."

"If you don't think it was murder, why are you telling me to back off and butt out? Are you threatening me, Larry?"

Larry reached over and pushed the door shut. Rune looked up, surprised. Her office was so small that closing the door made her slightly claustrophobic.

Larry was the head audio-visual guru at the college of Environmental Sciences and Forestry or ESF. His office, like hers, was on the entomology floor of Illick Hall. The door to his office was down the same little alcove hallway as hers; the door to his office and storeroom was right next to hers, at right angles. They were on the second floor, and not far from the elevators. It was a convenient location for a man who pushed around carts of equipment all day every day.

Already, Rune and Larry had reestablished the friendship they had begun several years ago when Rune first came to the College of Environmental Sciences and Forestry. Rune had been the only girl AV Geek at her high school, but it was not that shared interest that had deepened their friendship. Larry was a good listener, a perceptive if reticent advisor and a gentle soul. Rune liked him, plain and simple.

Larry leaned close to Rune, as if to whisper in her ear, and then backed off suddenly, looking suspiciously around the room. Then he leaned back toward her again. "This place might be bugged," he whispered, so quietly Rune could hardly hear him, "Can you spare time for . . . " he paused, looking at his watch, "how about dinner? King David’s?"

"You're not going to haul me off in a dark alley and murder me, are you?" Rune asked, jokingly.A small shiver ran up her spine. She'd known Larry Thompson for more than four years, and he did not strike her as a murderer. Larry was unapologetically gay, swishy gay. He didn't dress to the nines like some of the gays Rune had met in San Francisco. He wore baggy old-man pants, baggy old-man suspenders, a ratty old dress shirt with frayed cuffs, and a ratty old suit jacket.He was greying and balding and his thin hair hung in wisps about his slightly baggy face. His eyes, however, were intense, dark grey and full of life and intelligence.

Rune thought of Larry as "sweet." She could think of no one nicer than Larry. But suddenly, she also thought of him as a possible suspect in the murder of four professors. Silly of course, but why else would he be threatening her? But they were Cornell professors and he was at ESF. She felt slightly confused and disoriented, but rose and followed Larry out of her office and down the stairs of Illick to walk through the Syracuse University Campus and down the hill to Marshall Street.

They made it to King David’s new door to the upstairs, walking down from campus, without Rune's being dragged into a dark alley, though they had passed several dark alleys with young hipsters squatting and smoking cigarettes behind decorative wrought-iron fences. Rune laughed at her own fears, but she still had a creepy feeling.

King David's had just moved upstairs after years and years downstairs. Word was that Chipotle’s had offered King David’s a deal too good to refuse. Upstairs, it was the same as it always had been downstairs, and Larry chose a table in the back, away from the doors and windows, where the light was low. He examined the other patrons. "Pat yourself down," he said. "I'd do it for you, but I wouldn't want you to think I'm coming on to you." He said this with great solemnity, and Rune had to laugh.

"You're kidding, right? Is this some kind of joke? Halloween is still almost two months away."

"No, I'm not kidding. Pat yourself down. I just want to be sure."

"What am I looking for?"

"A tiny mic like this," Larry said, holding out a miniature microphone.

"Really?" Rune sounded worried, even to herself.

"Don't worry," Larry said, "I've disabled this one."

Rune found no hidden mics, and they sat down. Larry ordered her a sampler platter and himself a veggie sampler.

While they were waiting for the food, Larry leaned over and whispered to Rune, "You know, don’t you, that Dr. Cailex (), one of the four professors from Cornell who were murdered . . . I mean who died, was my lover."

Rune sat up straight and looked at Larry. Although he was clearly gay in his speech and mannerisms, she had always thought of him as asexual. Never had she seen him on or off campus with a partner. It was hard to imagine him with a lover. Not that she wanted to imagine it in too much detail.

"Were you down at Cornell? I thought you were a permanent fixture here. I thought you'd been here forever."

"I've been here twelve years. I couldn't stand being at Cornell after what happened to Cailex.Dr. Otis got me the job here. I came primarily for Eilyn." He said, pronouncing the name “AY-lin.”

"Eilyn? Dr. Otis's wife?"

"Yeah, we were . . . um . . . close . . . friends.!" Larry turned brilliant scarlet.

"Larry!" Rune exclaimed. Larry turned his face away, and when he finally turned back, he had composed himself.

“Moving right along . . .” Larry said, “What I wanted to tell you is that someone around here is not going to be happy that you’re poking your nose into something they consider not your business. Seriously, Rune, it could be dangerous.”

“That someone couldn’t be you, could it?” Rune asked, smiling. “Where we you the week of August 19th, thirteen years ago?”

“I was in North Carolina with my mother who had a brain tumor. I was there most of that summer, and there are hundreds of witnesses who saw me that week, because they had a big fund raiser to raise money to help my Mom pay for her medical bills. She was a social worker who had helped many families in the area, and they turned out in droves. I was on stage helping my mother to stand.”

“Oh dear,” Rune said, “I’m sorry, I didn’t know. What happened to your Mom?”

“They raised enough money for the operation, but when the doctors opened up her skull, the tumor was bigger than they thought it was. It had spread throughout more than half her brain.They took out what they could and closed her up again. Before the swelling had even gone down, she fell from the hospital fire escape—or jumped. She died.”

“I’m so sorry, Larry.”

“It was the same day Cailex died,” he said.

Rune got up, went around the table, and hugged Larry. He buried his face against her belly. His shoulders trembled. Run stroked his back. A few tears came to her eyes. She always seemed to feel the pain and grief of others more strongly than most people appeared to.

The meals came, and Rune sat back down. They ate a few minutes in silence.

“But Larry, why did you tell me not to ask questions? I was just curious how four renowned mycologists who should have known better could actually have poisoned themselves. I only wanted to turn over a few stones.”

“Some stones are better left unturned,” Larry said. There was a stubborn set to his jaw that Rune never seen before.

“You didn’t kill them?” she asked.

“No,” he said, “but someone did. I’m absolutely sure of it.” Again, that shiver. The cold fingers up her spine.

“Why are you warning me?”

“Because I like you. I care about you. I don’t want anything untoward to happen to you.”

“And you think it might?”

“Yes. If you keep poking around, yes.”

“But it happened at Cornell, not here.”

“No, it happened in the mountains, up in the Adirondacks. On a backpacking trip. It was a long backpacking trip. Several people here were involved in various ways.”

“Who?”

“Rune,” Larry said sharply, “Leave it! Leave it alone.”

“Okay, Larry. I’ll be more careful.” Rune decided to move her questioning undercover.“Maybe.”

“Don’t be more careful, Rune. Stop. Give it up entirely.” Rune nodded, but was unconvinced.Larry stared at her.

Rune shook her head a bit. She couldn’t help her self. Larry shook his. They stared into each other’s eyes with such intensity that finally, Rune had to look away.

Friday, July 30, 2010

WeekWord: Braid



Hennie Mavis on her Runs Rampant Blog has a WeekWord "Braid."
  Here is my contribution.

The drawing above I did on my iPad to go with story below.  I spent most of my time working on the story.  If you click the image, you can view it larger.

What follows is a brand new chapter from novel in progress, Disappearing.  I'd been thinking of giving the protagonist braids and the prompt of the week convinced me.

Braids

Terry leaned over, blew out a moist breath, rubbed the dusty mirror with a piece of toilet paper and looked at herself. The light coming through broken window of abandoned house number six was greenish from the leaves that hung over the window like a curtain. Green, brown and gold, for dead and dying leaves dangled among the live ones. She wished she had a camera and could capture the face she saw. She wished she could paint herself in soft water colors or even bright pastels. She could see the possibilities developing in her mind, but of course, she had no camera, paint or pastels. She had nothing.

She liked this strange green-gold reflection. It looked more relaxed and girlish than her reflections had for several years. She looked happier, more like herself. How could that be, when she had no money and didn't know where her next meal would come from? Why did she feel safer here, in this abandoned house, in this apparently alarmingly unsafe neighborhood, than she had at home?

Terry leaned over and peered at the top of her head. Dark auburn roots showed at her part, a good lot of them. The frosted strawberry blond done by Eileen at Mr. Curl was growing out. She held up her head and looked at the hair that fell just below her shoulders. When had she last been to Mr. Curl for a trim and a do? It had been a long while. She hadn't even brushed her hair for days. She opened the medicine cabinet. There was a ratty old hairbrush, a comb, a bottle of aspirins with maybe seven aspirin in it, along with a little pile of aspirin dust, and some hair bands.

On the side of the tub was a nearly empty bottle of shampoo. She reached through the tattered shower curtain with its dried mildew and rust stains and turned on the water. It sputtered, stopped, started, shot out gobs of lumpy brown goo and rusty water, and then ran clear. It was cold, of course, with no gas or electricity to heat it. She didn't understand why the water was still on, but wasn't going to worry about it, as long as it worked. She jumped in, lathered her hair and her armpits (they were hairy, too) and using the shampoo as soap, quickly washed herself, watching sheets of dirt-laden water slough off her body and stream toward the drain.

The water got colder and colder. She moved faster and faster, lathering, rinsing and then leaping out. Water dripped onto the linoleum floor in puddles. She shut off the water. Then opened the cupboard. She hadn't thought to look for a towel. Crumpled in a corner was a small hand towel covered with mouse droppings. The towel was frayed with age; a mouse had chewed one edge to threads to make nest at some point in the past. Using the cleanest- looking portion of the towel, she wiped herself off. She was still damp, but felt great. Miraculously clean. Her blood was chugging through veins and she felt astonishingly alive. She looked in the mirror. Her cheeks were rosy red, even in the green-gold light, and amazingly, she looked kind of pretty. Thinner, younger.

As she put her clothes back on, she realized she would need to wash them as well. Then it occurred to her she had been standing naked in an abandoned house where anyone could have walked in on her, and had not been afraid. And still wasn't, unless she really thought about it. And why bother worrying? There was nothing immediate she could do to fix her situation. After removing old hairs and dust from the brush and rinsing it under a hard gush from the tub spigot, she brushed her hair and then decided to braid it. She wondered if she'd remember how. As a kid, she had worn her hair in braids. For years, her mother had done it for her.

Then, one day, Simon's friend Sienna Weaver's mother, Annie, who was an artist, asked Terry to sit for her. Terry had arrived for the sitting with her hair down, because she thought it was prettier that way and that Mrs. Weaver would want her to look pretty. Mrs. Weaver asked her to braid it. When Terry told her she didn't know how. Mrs. Weaver acted as if she were a cretin.

"How old are you?" she'd asked.

"Thirteen," Terry had answered. Mrs. Weaver had to know that, since Sienna, her daughter, was a year younger and a grade behind her.

"And you can't braid your own hair?  You let your mother do it for you? Every day?" Terry felt a rush of shame and anger wash over her.

Mrs. Weaver braided Terry's hair in soft loose braids for her portrait, different than the tight way her mother did it. But though her mother always held the hair tightly, she did it with love and kindness. Mrs. Weaver moved more softly, but was not as gentle as her mother. Terry wanted to squirm away and run from the little play yard with its white picket fence where Mrs. Weaver had asked her to sit for her portrait. But Terry had promised she would sit, so she sat. The braids looked nice for the portrait, but fell out as soon as Terry began to run around afterwards.

Mrs. Weaver had entered the portrait in an art show where it won a green honorable mention ribbon. Then, she had given the portrait to Terry. It both looked and did not look like Terry. The eyes were
wrong—they looked more like Sienna's eyes, like Annie Weaver's eyes, than hers. They were slanted and almond shaped rather than oval and level like Terry's eyes. Terry could never decide if she liked the
portrait, with its strange mix of bad and good memories. The portrait was probably, still at her parents' house. She was sure that her parents would not have thrown it out. She was not sure if she wanted it or not, if she survived her current problems.

The evening of the afternoon sitting with Mrs. Weaver, Terry asked her mother to teach her to braid. Her mother tacked three thick ropes to her bulletin board and showed her how to cross the upper outer rope into the center, and then the one on the other side. Terry practiced.  Then, she practiced on her hair. The braids she wove were not as nice as the ones her mother made; like Mrs. Weaver's they came loose and fell out.

"It works better if the hair is wet," her mother advised, so Terry tried that.

She tried for days and then for weeks. Meanwhile, she avoided Sienna and her mother because she didn't want either of them to ask if she braid her own hair yet. Sienna was kind of stuck up anyway. She was beautiful, like a movie star, with long curly blond hair, dark eyebrows and eyelashes and stunning blue eyes. Terry, with her straight dark auburn hair and violet blue eyes was pretty enough normally, but when she stood beside Sienna, she looked like Quasimodo.  Or perhaps she just felt like Quasimodo.

Every morning, Terry combed and braided her own hair, looked in the mirror, rejected the imperfect braids, and asked her mother to do it. She watched how her mother pulled the handfuls of hair tight, how she held the slippery shining stands, how she looped them over each other, pulling them tight again and again, how she dampened the hair and her hands.

Her Mom had to dampen the hair because, at that time, Terry didn't shampoo her own hair and her mother didn't do it for her. It had gotten so long that she could easily sit on it and was thicker than anyone else Terry ad ever met. Her mother had made arrangements to have it washed. Once a week, Terry went to Mr. Kilgore's beauty salon to have him shampoo her hair. He was Rod Kilgore's father. They lived on her street and Rod was friends with her brother, Simon. The abundance of Terry's hair was hard to handle. Mr. Kilgore was as gentle, kind and sweet as her mother. She wasn't sure why her mother permitted this weekly apparent extravagance when she was tight about finances in so many other ways. Maybe she wanted to help Mr. Kilgore by supporting his business. Maybe it was a small way of saying she loved Terry.

Later, Terry learned to braid her hair while it was still wet from
showering, which helped it braid tighter and stay braided longer. But
back then, they had to manually wet the hair. Every day, she watched
her mother and paid attention to the tension of the hair. The next
day, she would try again, fail, and ask for help. Her mother, who was
often cranky and irritable, was a paragon of patience during the braid
learning difficulties.

It took months, but she finally got it. Her braids were never quite
as neat and perfect as her mother's, but at last she could do it
herself. She was almost 14 when she finally did her own braids every
day before school.

Three months later, at the end of June, she cut her hair. That fall,
she would enter 9th grade, which, at that time at her school, was the
beginning of high school. Even in eighth grade, no one else wore
braids. Terry was an anomaly. People laughed at her. Gary Sommers
called her "Horsehair," which wouldn't have been so bad, except for
the mean way he said it, and the fact that the other boys had picked
up on it, too.

Mr. Kilgore cut off her braids. He was sad. She never went back to
him for shampoos, because now she could wash her hair herself in the
shower.  With her pixie cut, she went to him every two or three months
to have it re-cut and styled.

Terry realized something she had never understood back then.
Probably the reason it had taken her so long to learn to braid her
hair was because of her dyslexia. She always had particular problems
with things that involved right and left. She was so used to living
inside her own skin that she thought she was normal. But there were
times when her dyslexia puzzled her and made her embarrassed and
ashamed, particularly when she didn't understand the problem. Or,
perhaps it wasn't her fault. Perhaps Mrs. Weaver was at fault for her
lack of understanding. It was possible that she didn't know Terry was
dyslexic. But she didn't have to be quite so mean about it. After
all, Terry wasn't stupid. She was a lot smarter than Sienna, at
least in school.

Terry grasped her hair, used the rattail on the brush to make a part
in the back, and braided each side. Her fingers moved automatically,
without thinking, even though it had been years since she'd braided
it. She did remember. After she put the pony bands from the medicine
cabinet on the braids, winding them round and round, she studied
herself in the mirror. She smiled, a big happy smile. She remembered
that girl in the mirror and liked her. She liked her better than the
girl she had become these last few years.

Of course, she wasn't really a girl any more, not in the sense where
girl implied child, not legally or biologically. But right then, she
felt like a girl, and liked the feeling.

Her new braids were only a few inches long. The ends swept the top
of her shoulders. They were thinner than the substantial braids she
had as a kid. She remembered now, Mrs. Weaver, just before she had
braided her hair for the portrait, running her hands through Terry's
hair, admiring how thick it was, smiling at Terry, her criticisms
forgotten in the glory of the luxuriant hair. Well, her hair wasn't as
thick as it had been, but it was still nice. And it was hers. Her
hair, her braids. Her life.