Last Gasp in Mike's Moleskine

Everyone cheered to watch racers run
"final?"
by me, Mary Stebbins Taitt

I am finally finished with Mike's Moleskine, and will mail it ASAP on hopefully Monday or Tuesday.
*The paper is getting progressively thicker!  Below is the prior version.  Since then I have repaired the head of the last wolf, opened Frankie's eyes, changed the color of the grass and added detail.  This was the hold-up. I kept fiddling with it, trying to get it right.

"Had Races and Won"

Acrylic on thin Moleskine paper*

4th coat

Because I had it so long, I did some additional pieces:

Biker Buddy
by Mary Taitt

At the end of a long day
By Mary Taitt

The Nature Conservancy wants to publish 20,000 elephant pictures, so I am trying to help them out.

Old Bull
collab for Mike

And a new pocket item--with elephants:

Dusk
card by Mary Taitt for Mike's pocket

5th layer of Paint on had races and won + other new art

"Had Races and Won"

Acrylic on thin Moleskine paper*

5th coat

I changed the color of the grass, added the head back on the left-most wolf, worked on the turtles and miscellaneous other changes.  I think I am nearly finished.

"Angry Man"
Acrylic and oil pastels on Moleskine Paper
Mary Stebbins Taitt
Click any image to view larger

I wanted paint a picture of anger to go with my Vera House Survivor poems, so I tried to paint an angry man. I tried and tried. I've certainly seen my share of angry men.

But no matter how hard I tried, the man looked as much sad as angry.

Is that deep well of sadness generating the anger?

Or is the sadness in my own heart when I look at the picture and remember?

(It could well be that I am simply not a good enough artist yet.)

"Biker Buddy #20140218"

Acrylic and oil pastels on Moleskine Paper

Mary Stebbins Taitt

Click any image to view larger

This scan looks a little lighter on my screen than the actual painting.

"Skull Sketch with conte Crayon effect added"
sketch in Faber Castell artist pens
including dry one for "dry brush"
Mary Stebbins Taitt

This is an adaptation of my collaboration first half for Mike Kline.

Fourth layer of paint on "Had Races and Won"

Everyone Cheered to watch Racers Run
4th later of paint
Acrylic, by me, Mary Stebbins Taitt
Click to view larger

I've added a fourth layer of paint, which took about 4 days, and as you can plainly see, it is till quite a ways from being finished.  I added turtles in the audience at the lower because the space seemed too empty, but they need work, and I painted out the head of the wolf on the furthest left because its legs were too short.  Since the light is coming from above, slightly behind and to the right, I will have to do some work with the sun and shadows, which right now is just plopped on (To make the turtles more visible.).  Too bad, because I was reaching a point of being almost happy with the grass before.  I think the Dachshund is finished or nearly finished, and maybe the cat, too. The elephant is getting closer. (Too bad the scanner won't scan the gutter! :-( )  Frankie is my grandson, and this is for a book for him.

*The paper is getting progressively thicker!

Early stages of Had Races and Won

Often, when I start a new painting, I get very discouraged and wonder why I pretend to be able to do this.  It seems obvious I can't.  I want to give up, because it seems hopeless.

"Had Races and Won"
Acrylic on thin Moleskine paper
1st coat
click this or any image to view larger

"Had Races and Won"
Acrylic on thin Moleskine paper
2nd coat

The images are photos with a point and shoot camera, sorry about the reflections.  I'll start scanning, if I can, I'm having difficulties with my scanner!  :-(

This is a slow process for me, but I am working on i!  It is as of yet quite unfinished.  It is for a book I am working on for my grandson.

"Had Races and Won"

Acrylic on thin Moleskine paper

3rd coat

I added another layer of paint.  Most of the paint I am using is fairly transparent (although some is thick and opaque.  I Have to put many layers on to get it to look the way I want it,  I scanned this one, but the scanner is messing up and I don't have time right now to fiddle with it, and since it isn;t done yet, I'll just post this--hope you can see the difference between the layers (versions) (drafts).

New Art in process, Moleskine, June 2014

I am sorry to report that my scanner is still not working, so I have tried to photograph the pieces I am working on.  The first one is a collaboration with Andrea.

Collaboration with Andrea,
PITT Faber Castel pigment pens and colored pencil

The second piece is the one I am currently working on, showing two stages of work. It is for my book, Frankie and Noah have a party.

Collaboration, 1st half, for Mike

The last piece is a collaboration for Mike to finish.  My intention was to do a simple graphic black and white but I got carried away and colored it.  "The owl and the Pussycat went to sea/ in a beautiful pea green boat."

Mike, feel free to change the these, paint or color over or change any part of what I did, etc.  You can erase the lines of the boat and the ear of the owl if you want to do something entirely different--it could be a scene in the daytime.

Click images to view larger.

Unfinished Self-Portrait with Keith

I am working on a painting for the back cover of my Moleskine.  I figured it would be nice to finish it before I sent it off, but it is slow.  I am making my own acrylic paints with pigments from France my daughter brought me from her visit there.

First coat of paint:

Self-portrait with Keith
handmade acrylics
after one coat of paint
(not yet finished.)
Click this and all images to view larger

Second coat of paint:

Self-portrait with Keith
handmade acrylics
after two coats of paint
(not yet finished.)

Working at the dining room table:

We had more than a foot of snow and it was 11 below zero--I couldn't get to my "studio."  It's a little crowded and cluttered.  (Okay, it;s a LOT crowded and cluttered.)  The little vials are the dry pigments from France.

The photograph I am copying was taken December 28, 2013 by Harry Teichert at the Edsel and Eleanor Ford House.  I hope to finish it soon and mail it off.

Working on Mike Kline's Moleskine

Spoonbill, Hornbill and Duckbill
Acrylic, by Mary Stebbins Taitt
Click on this or any image to view all of them larger

Spoonbill and Duckbill
with their friend Hornbill
Rode a red wagon downhill
with glorious freewill
past the sawmill
and came to a standstill
at Frankie's doorsill.

 Frankie is my grandson.  One of four.

I can't find the paper with the "poem" on it, and I'm not sure I'm remembering it right.

Roseate Spoonbills envelope
acrylic, Mary Stebbins Taitt

Pumice Fish
Acrylic, Mary Stebbins Taitt

I never went to art school, so I have to learn everything by experimenting.  I bought some pumice medium and played with it on the envelope for the first time ever (dumb, I know).  It was so rough, like sandpaper,only worse, so, worried about the mail carriers and postal employees injuring their fingers, I put a couple layers of matte medium over it, but that made it look dull.   :-(  It has lots of texture!  But less than before. (I also used a tiny but of the pumice medium on the rocks and on the road in the Spoonbill hornbill duckbill painting.)

In the Pocket:

Twin Poppies
oil on Graham Cracker box treated with acrylics
Mary Stebbisn Taitt

Flute Practice
oil and Arches Oil Paper
Mary Stebbins Taitt

Flute practice, side view
showing topography of oils

Mike, take the oils out and let them dry some more.  I hope they survive the journey to your house!!!

Cassandra Elise Lapwing revisited yet again (I'm probably still working on this):

Riding the Storm

Riding the Storm
painted collage
Collab Andrea and Mary
click image to view larger.

When we were in Colorado, a number years ago, driving south on the east side of the mountains, a storm sat over the mountains and funnel clouds, sometimes a number of them, kept snaking down out of the clouds.  It was creepy, scary and fascinating.

Andrea Martinez added the house.

I made a college and then painted over parts of it.  The witch is my friend Gail Slaughter and Dorothy, the scarecrow, the Tin Man and the Cowardly Lion are all friends of hers.

Mail Art: Dreaming Fish

Dreaming Fish Envelope
acrylics
Mary Stebbins Taitt

OK, here's the finished front of the envelope for the latest completed Moleskine.  I've continued the dream theme, with a dream, not a nightmare.  In this dream, I was talking to the fish who was dreaming the world.  (Maybe that is a nightmare?  It didn't seem like it, though.)  Fish dream with their eyes open!

I have an operation Thursday, and I may be in the hospital several days and then bedridden for a while--doc says I'll be incapacitated anywhere from 2-3 weeks to 2-3 months.  (?)  That's a pretty wide span.  Meanwhile, I am sick.

I have no idea how these will survive the journey through the mail.

Mail Art: A Dream of Floating

A Dream of Floating
acrylic, envelope

I've finished with the latest traveling moleskine sketchbook and decided to continue the dream theme on the envelope.  I don't know how well it will hold up to the journey.

I am still sick, do not seem to be getting better.  Doctor tomorrow.  :-(

Decorating the Envelope

Moray Eel
acrylics and soufflé pen
Click images to view larger

detail

Moray eel
acrylics and souffle pen

Ballookey's mole is on it's way to Mike.  I've become fascinated by Moray eels.

Bear Hare Air

"Bear and Hare went by Air"
my illo of San Cassimally's kids' book
Animal Carnivalacrylics
click image to view larger

Snail in Phlox
half a collab for Mike
Faber-Castelle pigment pens

I have completed (I think) the work in this rotation in Ballookey's Moleskine Sketchbook.  (I may do a little tweaking here and there.)

When Confronted with our Worst Nightmares

"When Confronted with our Worst Nightmares
I like to fight back with Flowers"
Collaboration Andrea and Mary
mixed media
water color, acrylic, pigment pens, colored pencil
click image to view larger

I wanted to do the girl (standing in for my child-self) in water color, but ended up coloring the background with black Faber-Castell pigment marker (A gift from Hennie Mavis) and then painting over that with glazes of blue acrylic.  I drew the flowers on the girl's pajamas with colored pencil and then painted them in with watercolor.

I have a lot of dreams of being chased down dark alleys by men who intend me harm.  They are nightmares, because I wake up terrified.  Not sure if that's what Andrea meant.

Click on the image to see it much larger.

I am still sick and my work is going slowly.

Mr. Gnu in his Canoe

Mr. Gnu in his canoe
Raced Yak in his kayak
click image to view larger.

This is my second painting in Andrea's Mole, an illo for San Cassimally's Animal Carnival.  It is done in acrylics.  It took me ten days to paint it and two more to scan and post it.  I regret to say I'm still sick and it's taking a lot out of me.

I posted the steps (4 coats of paint) here, but don't have time to do it again.  At least, not now.

New art and experiments in art with oil pastels

I have two pocket items for the first mole that comes my way.  The first one you've seen as a photo, but it's dry enough now to scan--It's the wandering minstrel, the Mandolin player, done in water soluble oils.

The Wandering Minstrel, The Mandolin Player
by Mary Stebbins Taitt
Water-soluble oils
for the first round 4 pocket.
size: I cut this exactly to fit the Mole pocket, hopefully.

The second pocket item is for fun.  It is a bit weird and silly.  I was playing with oil pastels.  My question was, how would they work on dark paper.  I actually went to the store and bought the paper just to experiment--I've got my teeth into exploring oil pastels at the moment.  I like them because they are bright and don't stink (like the fixative for soft pastels, chalk pastels.)  I had in mind sort making a mandala from a poppy.  When I was nearly finished, I tried to sand off on of the bumps that had formed and the layers of varnish and oil pastel delaminated.  This is something I'd been afraid of and had a series of other tests and had not managed to delaminate any of the tests--but this one did.  The peeled off pieces felt like flower petals so, for fun, I glued them on.

Poppy Mandala with Torn Petal
First Round 4 Pocket item
Mary Stebbins Taitt
oil pastels and acrylic varnish
Click to view larger.
8.5 x 11

 The next painting (drawing?) is another in my series of tests of oil pastels and acrylic varnish.  It's on one of my practice sketchbooks, an old one, painted (drawn?) over an old failed painting.  One thing oil pastels, I have not yet learned how to do detail.  Nor can I do it with a palette (painting) knife, as seen above.)  The oil pastels tend to shed little lumps of pastel material which then builds up with successive layers to make "pimples."  These pimples are weak spots from which delamination can begin.  I have no idea about the long-term survival of these pieces, but I think they will not delaminate in the short term, as they did in the poppy mandala above, unless they are subjected to undue stress, eg, sanding.

Ami, age 13
Mary Stebbins Taitt
oil pastels, acrylics and acrylic varnish
in multimedia sketchbook
9 x 12 (part is missing on right, as my scanner is smaller than the paper)

I am not sure how much longer I will continue experimenting with this media or whether I will use it in any serious art.  I will not use it in anyone's sketchbook (Mole) in the exchange unless someone gives me the go-ahead, since the archival nature of the medium is unknown (to me) at this time.  For some reason, I seem to be taken by the medium at the moment.  Trying to ascertain its possibilities.

The Quill and the Inkwell

The Quill and the Inkwell
Acrylics, pens, tissue paper
click image to view larger.

Yes, I know that is not an inkwell, but a bottle.  Believe it or not, I'm old enough that I remember inkwells built into our desks at school.  This is made of torn pieces of tissue paper glued together with acrylic medium as well as acrylics applied with a sponge and ink.It is an illustration for a serial novel I am working on.

Cover to my New Traveling Moleskine

Self Portrait with Biker Buddy
"tentative final"
click this and all images to view larger

Yesterday, my new Round 4 Moleskine arrived in the mail!  YAY!  I'm so excited.  Biker Buddy and I went out and took a self portrait photograph from which I painted the cover of my new Moleskine. Acrylics on gessoed Moleskine cover.  OH--I took pix of the stages again.  I will post them below.

These sketchbooks travel around the country, and sometimes around the wold, to other artists, collect art and return to me.  FUN!

I need to get back to work on my Fellowship application.  No more art until I hear that this round has officially started.

gesso and pencil sketch

blocking

underpainting and first coat

adding highlights and first details

Self-portrait Today

I wanted to complete my Moleskines BEFORE I took a video of the finished Moleskine.  I'd intended all along to make a painting on the back of my Round 2 Moleskine, so I did that tonight and the book is now, finally complete.  I will attempt to make a video of it at my earliest convenience, BUT I am still working on the Fellowship application.

This is a self portrait.  I painted it from a photo my husband took of me at a restaurant in Slovenia.

I took some pictures of the steps, but I will post the scan first.  Acrylic on Gessoed Moleskine cover.

Click images to view larger.

"final" (maybe--I always like to fiddle)

(Step 2) Blocking in with pig markers
I forgot to photograph the pencil sketch

(Step 3) Underpainting
(first coat)

adding detail